Andrea James


Transphobia Project uses data visualisation to zoom in on outlets that spread biased transgender content

Posted: 17 March 2020 By: Daniel Green

Transgender rights activist Andrea James is building an interactive data visualisation platform mapping people and media outlets that publish biased content about gender identity and expression.

The Transphobia Project will examine articles covering this topic across all English language publications and assign them a ‘t-index’ which works as a bias score – the higher the t-index, the more biased the content, the author or the platform is.

The interactive chart then allows users to see connections between publications and journalists who create this content.

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“Minari,” “Boys State” Win Top Jury Honors At Sundance Fest

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SUNDAY, FEB. 2, 2020

The Sundance Institute | Amazon Studios Producers Award for Documentary Features went to Diane Becker and Melanie Miller of Fishbowl Films, for Whirlybird.

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‘Minari’ wins top awards at the Sundance Film Festival, as women sweep directing prizes

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FEB. 1, 2020 6:05 PM

This year’s 28 prizes were awarded to 25 films from filmmakers representing a wide range of nationalities and backgrounds. Twelve (48%) of the winning films were directed by at least one woman, ten (40%) were directed by one or more people of color, and two (8%) were directed by a filmmaker identifying as LGTBQ+.

Sundance Institute / Amazon Studios Producers Awards

Documentary Features: Diane Becker and Melanie Miller of Fishbowl Films, “Whirlybird” (U.S.A.)

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Sundance Winners: ‘Minari’ and ‘Boys State’ Take Top Honors

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Also previously announced, the Sundance Institute/Amazon Studios Producers Awards went to Diane Becker and Melanie Miller (producers of “Whirlybird”).

Sundance Institute/Amazon Studios Producers Award for Documentary Features: Diane Becker & Melanie Miller of Fishbowl Films, “Whirlybird”

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Two graduate alumni screen their documentaries at Sundance Film Festival

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JANUARY 28, 2020 Mira Zimet

 Matt Yoka was at a professional camera store when he heard the news that his documentary, Whirlybird had also been accepted. “I remember the sales guys couldn’t be bothered with my questions — and then I got a call from my executive producer, telling me we got into Sundance. I started fist-pumping and pointing to the sales guys, giving them a big thumbs-up,” he said.

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‘Whirlybird’: Film Review | Sundance 2020

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3:15 PM PST 1/26/2020 by Daniel Fienberg

Whirlybird is informative and thrilling. It’s also profound and sad. And maybe it’s got threads of inspiration and uplift as well. That’s a wide range of responses, and it’s as much as you could have hoped for if you watched those Los Angeles-set documentaries and knew Zoey had a great story of her own.

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Sundance 2020: “Whirlybird” Probes LA From Above

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Clint Worthington

January 26, 2020

Even through its glimpses into the dark underbelly of LA and the Turs’ marriage, Yoka still manages to craft propulsive moments of lurid news stories, and occasionally takes the time to dig into the quirkiness of their news agency in its heyday (complete with family members doing the books and hiring gimmicky helicopter pilots to grab headlines on their own). But at its center is a time capsule of a very specific and important time in both LA and news media history, and the heartbreak it left in its wake on both sides of the camera lens.

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In WHIRLYBIRD, The Cost Of A Scoop Is Your Soul (Review)

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by Kyle Anderson

Jan 26 2020 • 3:15 PM

The footage we get in Whirlybird is astonishing. We see the raw footage, including outtakes before and after the live segments on the news. With this, we see a picture of Tur’s demanding perfectionism and how that eventually turned abusive. The documentary has interviews with Tur, Gerrard, their children Katy (now an NBC correspondent) and Jamie, and pilot Larry Welk. It’s an insular look at what was going on, but this is in no way sugar coated. The footage alone paints the picture of someone seething with rage, terrified of failure, and fighting the inner battle of who they really are.

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Whirlybird Doc Soars Over Fires, Riots and Killings to Tell the Origin Story of Breaking News

Tim Molloy

Published on January 26, 2020

But when the rush of breaking news wears off, everyone is left to consider the personal costs — and what is was all for. Whirlybird helps us understand breaking news as a high-flying addiction like any other — one that, for the Tur family, left lots of pain behind.

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‘Whirlybird’ Film Review: Journalism Doc Makes More Impact With Family Breakup Than With Breaking News

Sundance 2020: The evolution of L.A.-based news pales in comparison to the personal story in Matt Yoka’s documentary

Elizabeth Weitzman | January 26, 2020 @ 3:15 PM

There’s more, though. And since it’s not presented as a spoiler, it should be shared here: As we learn in the contemporary interviews, Bob is no longer Bob, she’s Zoey. A journalist himself, Yoka skillfully avoids any sense of the exploitation or sensationalism that we see his subjects indulge in occasionally. Zoey’s identity is important, but so, the movie insists, is Marika’s. It’s only once the noise quiets and each gets an equal voice that we can see them clearly, two distinct threads in a compelling portrait of an American family.

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